Correspondences takes Baudelaire poem as a reference and as a starting point for the debate on the sense of sublime of nowadays.
As a gust of wind in which you can identify several shifts. Leading us from oriental decoration motifs to a very extreme Sicilian Baroque, or from the majesty of nature to human labour and shapes, Correspondences is a melting-pot of suggestions and reflections, in which time arrests, bringing us back to our human condition of finiteness by the perpetual will to power.