Correspondences takes Baudelaire poem as a reference and as a starting point for the debate on the sense of sublime of nowadays.
As a gust of wind in which you can identify several shifts. Leading us from oriental decoration motifs to a very extreme Sicilian Baroque, or from the majesty of nature to human labour and shapes, Correspondences is a melting-pot of suggestions and reflections, in which time arrests, bringing us back to our human condition of finiteness by the perpetual will to power.
oil and mixed media on wood
140 x 140 x 5 cm